"Quade Winter is one of those American singers who sounds naturally Italianate. He was superb in his duet work with Liù and Turandot." [The Dominion, Wellington, New Zealand}.
Oregon-born Quade Winter has appeared in leading roles with the opera companies of La Scala, Graz, San Francisco, Scottish Opera, Seattle, Boston, Wellington, N.Z., Toronto, and Minnesota, among others.
Mr. Winter's engagements for the past few seasons include Erik in Der Fliegende Holländer for Sacramento Opera, Herod in Salome for Knoxville Opera, Ægisth in Elektra for Hawaii Opera Theatre, Herod for Opera de Bellas Artes in Mexico City, and Opera de la Am- ericas in the Dominican Republic, and a San Francisco recital. Recent seasons have also included Laca in Jenufa for Canadian Opera Company and Portland Opera, Herod in Salome for Opera Grand Rapids, Opera Columbus, and Arizona Opera, Ægisth in Elektra for Canadian Opera Company, Siegmund in a concert version of Die Walküre, Act I, for Colorado Springs Symphony, Canio in I Pagliacci for Sacramento Opera, and Manrico in Il Trovatore for Piedmont Opera.Last season he made his debut in Ottawa as Herod, and this season he will repeat this unique interpretation in his New Orleans debut.
His Oceanic debut took place as Calaf in Turandot for Wellington Opera, New Zealand, followed by Herod for both Virginia and Utah Operas and his Carnegie Hall debut as soloist in Verdi's Requiem. Additional engagements include Calaf for New York City Opera, Canio in I Pagliacci for National Grand Opera, Don José in Mobile Opera's Carmen, in NYCO's The Magic Flute, and Cavaradossi in New York City Opera's National Company's Tosca, as well as, respectively, Turiddu and Canio in the double bill of Cavalleria Rusticana and I Pagliacci for the MacAllister Awards and Opera Festival.
Notable concert appearances have included the title role in the American premieres of Janacek's The Excursions of Mr. Broucek and Pfitzner's Palestrina with the Berkeley Symphony, as well as a soloist in the West Coast premiere of Messiaen's La Transfiguration de Notre Seigneur Jésus Christ, all under the baton of Maestro Kent Nagano. Herod in Salome has served as a key role for the talents of Mr. Winter throughout his career. Besides his recent performances with the opera companies of Utah, Virginia, Minnesota, Columbus and Arizona, he has also sung it in Heidelberg, Würzburg, and with the Seattle Opera.
Mr. Winter has also sung Erik in The Flying Dutchman with Boston Lyric Opera, with Scottish Opera in his debut as Mark in The Midsummer Marriage, Don José in Graz, Edgardo in Lucia di Lammermoor for Connecticut Opera, and Ismaele in Nabucco at the San Francisco Opera.
In 1982 he made his European debut singing Herman in Queen of Spades in Graz. In the same season he made his debut at La Scala
in the title role of Cherubini's Anacreon and toured [the former] Yugoslavia in the title role of Parsifal with the Graz Opera. As the principal
dramatic tenor with the Stadttheater Würzburg in West Germany, his appearances included the title role in Don Carlo, Lensky in Eugene Onegin,
Herod, Canio and the title role in Hindemith's Cardillac.
Quade Winter made his operatic debut in San Francisco singing Max in Der Freischütz. He currently resides in the greater metropolitan
New York area.
As Calaf in Turandot:
"His voice is robust and suitably noble in the big arias. Yes - 'Nessun dorma' was great!"
-CAPITAL TIMES, Wellington, NZ
"Quade Winter is one the those American singers who sounds naturally Italianate. He made much of 'Nessun dorma,' and he was superb in his duet work with Liù and Turandot."
-THE DOMINION, Wellington, NZ
"Quade Winter was in full command of his role and his tenor was heroic in size."
As Herod in Salome:
"Quade Winter is the essence of realism in the role of Herod. A limpid,
dramatic tenor, he oozes oiliness, exudes perversity, emits a tired kind of debauchery, and exhibits all of the nuances of fear, of anguish, at the terror."
- LE DROIT, Ottawa, Canada
"Quade Winter's Herod is a perfect role model for sexual voyeurs and syphilitic opportunists."
- THE OTTAWA SUN
"Chilling was Quade Winter as Herod, who used his powerful, strident tenor voice to portray the man who pays dearly for promising anything to Salome."
-NORFOLK DAILY PRESS
"In Salome, Quade Winter made a stunning impression as Herod. His tenor soared even as he convinced you by his eyes alone that he was a loony capable of murdering his stepdaughter on a psychotic whim."
-SAN FRANCISCO CHRONICLE
"In both acting and voice, Quade Winter, a member of the ensemble, was equally convincing as her opponent Herod. Vocally powerful or cajoling, threatening, commanding, lecherous, his voice could adjust to the dramatic situation with no apparent effort. One felt the great commitment that came from the stage. Beautiful high notes, with metal though without harshness, a baritonal shine in the top and medium range, and a well supported lower range made for a harmonious vocal picture. Mr. Winter also gave great pleasure in his enunciation, and his text was clear and distinctly understood."
-OPER UND KONZERT
"Tenor Quade Winter is an ideal Herod, a singing actor who explores every nuance of this weak bully of a tetrarch. He is great as he tries to dissuade her from her gory quest."
"Quade Winter's throaty tenor lent itself well to his portrayal of the weak-kneed Herod."
-SALT LAKE TRIBUNE
"Tenor Quade Winter extracted all the neurotic ambivalence from Herod."
As Siegmund in Die Walküre:
"Winter has a bright, energetic voice and excellent diction."
-GAZETTE TELEGRAPH, Colorado Springs
As Laca in Jenufa:
"The debuting American tenor Quade Winter made a gruff bear of a Laca, who applied his physical bulk and bright tenor equally convincingly to the task of characterization."
As Canio in Pagliacci and Turiddu in Cavalleria Rusticana:
"It is impossible to imagine a successful 'Pagliacci' without a ringing rendition of Canio's anguished cry of,'Ridi, Pagliaccio,' and tenor Quade Winter earned an ovation with it."
"He is a fine actor by operatic standards and a singer possessed of a strong voice, capable of great passion."
"Finally we have Canio, sung by Quade Winter, a true dramatic tenor. His voice filled the house, and his aria 'Vesti la giubba'... stopped the show."
-ANCHORAGE DAILY NEWS
As Cavaradossi in Tosca:
"The entire performance was thoroughly professional, and to my ear, bested only by Quade Winter's superbly emotive and powerful Cavaradossi."
As Sergei in Lady Macbeth of Mtsensk:
"Quade Winter, taking over the role of Sergei on short notice, had a strong high-lying tenor to overcome the fierce orchestral competition, plus charm enough to make Katerina's infatuation credible."
As the Italian Singer in Der Rosenkavalier:
"A highlight of the evening was the honeyed Italianate tone of Quade Winter as the tenor in Act I, a rich find indeed!"
As Orlando in Orlando Paladino:
"Quade Winter had the heroic music, and the tenor to do it, with ringing qualities, and a surprising lightness for those passages expressing Orlando's vulnerability. Winter's voice and control have become increasingly impressive, his musicianship and confidence strong. He is moving steadily towards the major chance that surely lies ahead for him. Orlando's weeping and emotional carryings on got deft acting from Winter as well."
SAN FRANCISCO CHRONICLE
Beethoven FIDELIO Florestan
Berg WOZZECK Drum Major
Bizet CARMEN Don José
Britten ALBERT HERRING Mr. Upfold
Cherubini ANACREON Anacreon
Hindemith CARDILLAC Apprentice
Janacek THE EXCURSIONS OF MR. BROUCEK Broucek
Leoncavallo PAGLIACCI Canio
Mascagni CAVALLERIA RUSTICANA Turiddu
Pfizner PALESTRINA Palestrina
Puccini TOSCA Cavaradossi
Shostakovich LADY MACBETH OF MTSENSK Sergei
Strauss, R. DER ROSENKAVALIER Italian Singer
DIE FRAU ÖHNE SCHATTEN Kaiser *
Tchaikovsky EUGENE ONEGIN Lensky
PIQUE DAME Herman
Tippet THE MIDSUMMER MARRIAGE Mark
Verdi AIDA Radames
DON CARLO Don Carlo
SIMON BOCCANEGRA Gabriele
LUISA MILLER Rodolfo
OTELLO Otello *
Wagner PARSIFAL Parsifal
DER FLIEGENDE HOLLANDER Erik
DAS LIEBESVERBOT Claudio
TANNHAUSER Tannhauser *
DIE WALKÜRE Siegmund *
Weber DER FREISCHUTZ Max
Weill THE RISE & FALL OF THE CITY Fatty *
Beethoven NINTH SYMPHONY
MASS IN C
CHRIST ON THE MOUNT OF OLIVES
Handel JUDAS MACCABEUS
ISRAEL IN EGYPT
Mahler DAS KLAGENDE LIED *
DAS LIED VON DER ERDE
Markevitch LE PARADIS PERDU
Messiaen TRANSFIGURATION DE JESUS CHRIST
Rossini STABAT MATER
In 23 years as a dramatic tenor, Quade Winter has sung the masterpieces of Strauss, Janácek, Verdi, Donizetti, Wagner, Mozart, Bach,
Händel, Beethoven and many others. He has sung over 40 roles in the USA, Germany, Austria, Canada, Italy, New Zealand,
The Dominican Republic, Scotland, France, Yugoslavia, Mexico, and Switzerland, appearing at La Scala, Carnegie Hall,
the Vienna Musikverein, the San Francisco Opera, and many other venues. His repertoire includes Strauss's Salome
(over 20 productions), Puccini's Turandot, and Leoncavallo's Pagliacci (in Italian, German, and English).
As a composer, his operas, Thespis and The Carp have received their world premieres in 1996 and 1999 with the Ohio Light
Opera under the direction of James Stuart and Steven Daigle. Since 1997 has held the post of Composer in Residence for the OLO,
reconstructing the scores of Victor Herbert's Eileen, Sweethearts, and The Red Mill from the composer's manuscript scores.
These performance are now available on CD.